Book design and binding standard
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I. Book binding: whether the design proposal is in line with the book intention
Two. Book layout design:
Bookbinding
a) Whether the format of the book, page, and picture is harmonized; whether the design style runs through the entire book, whether the cover page and the appendix layout are easy to read, and whether it is compatible with the internal meaning of the book (specifically, between the font size, line spacing, and length) Relationship, left and right Qi Chu or only the left Qi Chu, etc.)
b) Is the font suitable for the internal substantive meaning of the book?
c) What is the status of the implementation of the design plan? (The relationship between the book and the picture, the comment, and the footnote are easy to search.)
d) Whether the layout of words in the layout is clear, appropriate and consistent with the objectives (conspicuousness of the book, the compatibility of the different fonts, the placement of the title/page number/page top, etc.)
III. Books and Art Design:
a) Whether the cover design and the cover design accord with the internal substantive meaning and requirements of the book and whether there is a book on the back of the book
b) Whether the cover design and the cover design are combined in the group scheme (eg book title, color)
c) Whether the materials used on the cover are reasonable
d) Whether the book cover design is suitable for the bookbinding process requirements (for example, the front cover and back attachment, the creases of the regular binding and the grooves of the hardcover book, etc.)
e) Whether the pictures (photos, illustrations, technical illustrations, decoration, etc.) are combined in the basic program, whether it meets the requirements of the books and the selected ones
f) Technology: Is the layout balanced (the kerning is not too wide or too narrow)
g) Layout: Whether the layout quality of the table, table, and formula is commensurate with the three-dimensional locality, and whether the kerning is appropriate to the volume of the word and the style of the word (in terms of the body, title, and body of the book, punctuation and Is the kerning of other special symbols appropriate?) Is the kerning averaged? Whether the line breaks the title is in accordance with the meaning of the book. Does the font's eye catch make sense with the font's style; is the word transition sensible? Excessive exposure? Only the left side of Qi Chu's layout, right match?
h) Layout: Whether the layout is exactly the same as before or after the connection; whether the interval of the title, chapter, paragraph, picture, etc. is unified; whether to prevent the punctuation from appearing on the first character position of the first line of the page.
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